I was lucky enough to spend an intermittently sunny & dismal morning at the Institute of Contemporary Arts in London last week, where Woodman’s work is on view through this weekend. I’m not sure whether my babe or I loved the show more. Not that there is anything childish about the work, but that Woodman deals so tantalizingly with the visual equivalent of sugar, for babies: her obsession is with creating and confounding surfaces.
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Art
Maker and musician Megan Adie shows & tells us how she travels light in and out of Copenhagen...
The Menil Collection is a low-slung block of grey in the middle of a quiet green square in an old Houston neighborhood. Daylight wafts in through the roof’s white leaves. Tropical plants fill the atrium of its African art gallery, and bamboo thickets at the exterior windows protect artwork in passageways from direct sun.
Dominique de Menil was the graceful, spiritual heiress to a French oil services fortune who used her wealth to establish my favorite private museum. She collected the objects and artworks she loved most because she passionately, irresistibly needed to. Here's an introduction to this super cool lady in anticipation of tomorrow's post about her fascination with the color GREY.
From Artsy to the Walker Art Center, Rhizome to the Tate, digital and digitized collections of art have come a long way. Check out some of our favorite online repositories.
Claude de Burine: "La poésie, c’est un état. Une sorte de vagabondage."